Showing posts with label Fade In Awards. Show all posts
Showing posts with label Fade In Awards. Show all posts

Monday, July 27, 2009

Fade In Vs. The Wrap... and Me


Part 1

Okay. An interesting thing happened to me last week. I had just gotten back from Culver City and I got this phone call from Audrey Kelly of the Fade In Awards. She seemed a bit nervous and shaky so I didn’t know what she wanted at first. She mentioned something about MySpace and “something” I wrote or posted. It was like she was playing some game where I had to fill in the blanks. Then she went on and said something like, “Our lawyers were about to send you a letter, but I said, ‘Let me see if I can talk to him’”. Still wasn’t sure what she was getting at, because this went on for a few more moments. But to make the story short, it was in regards to a pair of The Wrap articles that accused Fade In of taking spec writers for a ride. At first I thought she was talking about my blog where I posted the article and links to the continuing drama and I mention that I posted her response to the article just underneath. Then she was like, “But that’s in your blog. That’s fine. I’m talking about MySpace.” “Uh, MySpace…?” I thought. I hadn’t been on MySpace for a while. But she still didn’t get to the point so I talked her through it by asking questions like, “Are you asking me to delete it? Is that what you want?” She was like, “If you would or else we’d have to send you a letter.” I’m like, “Fuck if I care. I’m a big boy.” She sent me the URL to a post I posted in my forum.

Then she goes on to tell me that they’ve been in business for 15 years. “Look at all the people we’ve helped,” she said. I was like, “Uh… what people? There’s no proof of that.” No response. She continued to talk to me about defamation and all sorts of silly things. Just a diversionary tactic to get me off the subject of my question, I assume. Or she didn’t want to get into it. The call ended cordially.

Now, what was going on in my head was a certain key phrase. “We’ve been in business for 15 years.” “A business,” I kept thinking. Why a business? Why not, “We’ve been holding this contest for 15 years?” A Freudian slip maybe? I mean, after all, they do make lot of money off of us spec writers. But that’s the nature of the contest circuit. Every writer expects to lose something for the chance for something bigger. It’s almost like winning the lottery in that sense. It’s why we do this. So, fuck it. I go ahead and delete the post anyway, but it wouldn’t take right away. If you know those MySpace forums like I do, you know they can get glitchy. Which is one of the main reasons why I phased out of MySpace in the past months—tired of the glitches and spam. Fucking spam. But anyway, it looked like I deleted it so, I wrote this. Forgive me for having you read the whole thing, but I want this to be as fair and honest as possible.

Kelly,

I see what you're saying now. You're talking about the groups. At first I wasn't sure what you meant by just "MySpace". Anyway, I tried to delete it a few times, but it wouldn't take. You may wanna double check to make sure though. MySpace has several glitches in the forums and many other things which is why I've pretty much abandoned the site.

But just so you know, MySpace isn't the place you need to worry about seeing the mass exodus to Facebook. You need to worry about the private offices at American Zoetrope, The Writer's Building and Triggerstreet. That's where those articles get around. It may not show up on Google, but that's where the spec screenwriter core gather to get their news on things like this.

Later days,

Phil


Her response…

Hi Philip

Thanks for checking back. You may want to contact MySpace directly then. Keep me posted.

Audrey


Now, I was already getting annoyed by having to do extra work for her. The way I saw it, I did her a solid by posting her response to The Wrap’s article which incidentally was only privy to her email newsletter as far as I know. And that newsletter goes out to all the entrants of the Fade In Awards which I was. I wondered, “why wasn’t this on The Wrap’s article’s several comments?” It woulda been best served there, not hidden to all the skeptics. It’s like it was only designed to service the people that paid into the contest. Not saying that’s the case, but it certainly felt like it. So, annoyed, I responded back with…

Kelly,

That seems to be a bit much for me to delete an article which I didn’t even write that’s on a public forum. If it didn't work then so be it. MySpace is all yours.

Later days,

Phil


Okay, I’m gonna have to paraphrase here because in her latest email to me said this at the bottom… “Information contained in this e-mail transmission is privileged, confidential and covered by the Electronic Communications Privacy Act, 18 U.S.C. Sections 2510-2521.” None of her other emails had this, but this one does. Why is this suddenly private? But the gist of it was that she was disappointed by my annoyance of our correspondence and she was threatening me with legal action. The email was much longer, but that was pretty much what it was.

I was at the point where this was actually starting to feel like harassment. I told her in a previous email that all she had to do was double check to make sure the post was deleted. She didn’t want to get off her lazy ass to check. By fuck, dude! What’s the deal here? So, does this mean she’s gonna take my word for it? “Hey, person, I deleted the post. Take my word for it. I promise.” And she’s NOT gonna follow up? Come on. Enough with the bullshit. No. This couldn’t stay where it was—an empty thread. It had to be an exchange of harassing threats for a post that no longer exists because someone was too lazy to check.


Part 2

Scams. Okay, I’ve been dealing a lot with scams in the past couple months. Yes, times are tough. In fact, I’m back in LA because times are indeed tough. And that means people will lie, cheat and steal just to get some food in their bellies. But this also brings up a lot of things that have been in both the news and going on in my personal life lately. Not that I was in the news mind you, but situations that I’ve seen unfold and some things the news covered.

Just recently, KCAL 9 did an undercover report where they busted a company that was promising government jobs to prospective job seekers. But you had to pay an outrageous fee. Something like $400. Don’t quote me on the price, but it was something ridiculous like that.

Just recently, I was going to a job interview for a law enforcement affiliation in the Valley and they wanted $300 to take a test. And if I paid and passed the test, I’d get to work within the week. Then something as recent as last week, a friend and myself answered an ad in a local paper and as we arrived, we found that the joint was empty. We guessed that the place was shut down after grabbing everyone’s cash. Had we been there a day earlier, we most likely woulda been taken as well.

And should I get on the whole Sherry Fine/Screenplay Agency fiasco again? Maybe next time. But recently, I had just gotten out of a weird contract with a very shady development company that wasn’t scamming me out of money, but out of intellectual property… and then eventually money if the movie was made. I can’t go into that because I signed a disclosure agreement not to post anything negative about them. But if you wanna know, email me.

This segues into situations like the Fade In Awards. I’m not saying that they’re scam artists and have been getting away with it for 15 years, but you wonder, what have they done to help out all these people? The spec writing community is pretty small. We all know each other if not personally, electronically at least by name and the posts we post in the few screenwriting forums that are out there. And that includes a few of the winners of the Fade In Awards. Unfortunately, it does not bode well for the Fade In contest. I’m not saying that they’re deliberately scamming, but their prize-giving efforts seem to be begrudging—at least with the couple of the winners that I’ve talked with. This could be due to a couple of things. Maybe they’re so busy with other things such as the grand prize winner that they don’t pay much attention to the runner-ups or the category winners who also fall by the wayside. It seems that you do get paid if you ask or make a stink. Again, not saying that this is always true or fact in every case, but it seems that these allegations come up enough to warrant further investigation. It’s not just Fade In’s reputation that’s on the line, but our money. Money that should be going to bills, not to mention, paper, brads, ink cartridges and printer repairs.

The problem with a lot of these contests is that you’re never sure if you’re stuff is even read. There’s no verification process like Triggerstreet where you have to answer questions to prove that it was read or at least skimmed. And there’s no critical feedback as some contests offer. So, even if you lose, you can say, “Ah, that’s why I lost. My characters weren’t fleshed out. My story dropped the ball on page 43.” Etcetera. But hey, that’s not what Fade In does. You send your script and money and they cash your check. Fine. That’s how it is. No big. We as spec writers have grown to accept that. But we don’t expect to be harassed and threatened with legal action. For what? Curiosity of the truth? Being fair and open? Arguing about a post that doesn’t exist? It’s our money that’s being paid out to the grand prize winner. At the very least, we should get some proof that these contests are legit. And we will not take Audrey Kelly’s word for it anymore… but I might believe KCAL 9. KCAL 9, you up for the challenge?

The Ablazin’ Devil Head has spoken.

Monday, February 19, 2007

DEAD MEAT Makes the Quarter-finals in the FADE IN AWARDS










Anyway, to the meat of this blog...


Looks like that Philip Davetas character made the Fade In Awards (Quarter-Finals). Observe:


The Full Quarter-Final List

My reason for posting this totally jackassy vanity blog is to thank all you kick-assers for sending me some really awesome congrats and lots of cool shit. So, instead of responding to every single email and typin' 'em all out this follows:

pat redux, dude, thanks again and best of luck to your friend who also made the Quarter-Finals.

Ed, thanks for the email and kind words, but who said you could call me Phil?

Corybelle, I say thanks while givin' you a no-look flip-off. And The Cogi is one mean cocksucker.

Joseph™, thanks for the 22 exclamation points. Yes, I counted them. Actually, I kept losin' count, then said, "Fuck it." But I think I came up to 22.

Just Linda, once a jigga, always a jigga. Thanks for your sayin' some really cool shit.

Celia, yes, it's true. I'm pretty fuckin' badass. I hate to sound humble, but yes, I'm pretty fuckin' kickass.

Jamie, not to be confused with my Jaime, thanks for the "congrats" and the "awesome" thrown in on the side there.

GmanC, thanks for the words, man. Keep makin' those flicks. Killer Klowns from Outerspace is still a fuckin' classic!

James Gunn, dude, thanks for everything this week. I know my email gets lost in your fan mail sometimes, but thanks for sayin' something.

Betsy, congrats to you for making the Quarter-Finals also this year in the very same contest, but above all, thanks.

Tricia (aka Tee2), yes, I got your meaning the first time around, but thanks for taking the time out to actually say something. I know you're probably hanging off a cliff with a gang of natives spitting poisonous fireballs and all.

Bowitz, dude, that's some awesome art ya got there. And I too would like to see Dead Meat made into a flick.

And thanks to all you folks on Zoetrope for reading and critiquing the script.

Big Names in the FADE IN AWARDS

Okay, clearly there are some really big names attached to this contest, but I'm not sure what roles they play. Sponsors? Judges? Don't know, but what I do know these are writers of such fine films like Die Hard, Three Kings, Men in Black, Con Air, The Green Mile, A Simple Plan, etc.

FADE IN ADVISORY BOARD

Frank Darabont
Steven de Souza
Scott Frank
James Gray
Nicholas Kazan
Scott Rosenberg
Eric Roth
David O. Russell
Ed Solomon
Robin Swicord

Now, I don't expect to actually win any of these prizes, but it sure would be fuckin' cool if I did.

OVER $15,000 IN PRIZES!

GRAND PRIZE: iMac Computer, plus an expense-paid trip (hotel & airfare) to meet with top literary agents and studio executives for three days and two nights (or cash equivalent).

FIRST PRIZE: (in each category): $750, script analysis by WGA-credited writer, Waterman fountain pen, and one-year Fade In subscription.

SECOND PRIZE: (in each category): $500, script analysis by WGA-credited writer, one-year Fade In subscription.

THIRD PRIZE: (in each category): $250, script analysis by WGA-credited writer, one-year Fade In subscription.

Winners will appear in an up-coming issue of Fade In, Variety and/or Hollywood Reporter.

Why Did I Write DEAD MEAT?

It was around 2002, when I was trying to figure out what I wanted to write after my Santa Monica zombie story. I was starving to death, because I didn't have any money. My friends at CineFile took pity on me and let me rent DVDs for free and fed me on occassion. It then I revitalized a sense of doing something that I wanted to do. Something that didn't cater to the likes of the average homogenized Saturday Night movie-goers, but something I wanted to do if I had carte blanche. Basically, a movie that couldn't ever be made because of its twisted subject matter, but still had the formula of a hardcore action flick with douses of sci-fi and horror. I said, "Yes, I wanna write something about the fast food industry and the heroes would be these society misfits. Yeah, that's what I wanna do." That's right about the time my fuckin' HP broke the fuck down and I had to raise money I didn't have to buy a new computer.

That's when I got back to reading books and comics. Oh, thanks, Robert, for loanin' me all your comics. They really opened my eyes to what was possible beyond the media of film. I started sketching some pictures of Popcorn Rockaway. I said, "That's my first heroine. Now I need some villians. Ah, how about these dudes called the Troubleshooters."


I drew those guys on a little sliver of blank spot in my Anthropology book at the end of the chapter. So, why isn't it a comic book yet? To make a long story short, I decided to scrap the comic book project after seeing Sin City. Then I scored a new computer and then finished the script and wrote The Horrors of Frank Ackerman. I go into more detail in my FAQ section in WillmoreCity.com about all that.

But you will see Popcorn Rockaway again...




After Thoughts

In the end, what's really cool is that this is a really twisted screenplay about the corruption of the fast food industry embedded with lots of political overtones. It's uber-loaded with action and twisted science-fiction whackiness that it's so fuckin' bad-ass of these readers to actually validate this script as something worthwhile. While, it's not really a contender against those feel-good dramas that will most likely win the grand prize, it's still pretty damn cool. I'm not so big-headed about all this, but more stoked than impressed with myself.

So, thanks again for the motherfuckereth time, everyone.

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